karma
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Bollywood, the second largest film industry is widely known for its form of creative art. It is a form of art with the ability to entertain, educate, and reflect and shape our sense of who we are and our understanding of the society in which we live in. In Hindi films there exits the hero and heroine, however gender hierarchy can be seen and importance is imposed on the male actor. One would agree that the Hindi film industry is male-eccentric, with limited space for females to be versatile in the character they play. The roles played by the heroine are the same guidelines seen within the Indian society. The Indian society is an influence to Bollywood and is what shapes and defines the roles played by females in films. The portrayal of women in Hindi films has been stable in correspondence to the norms and values contained by the Indian society. “If the image [of women in the cinema] is submissive or secondary, it is the society who is responsible for it . . . filmmakers, keeping in mind the commercial aspect of films, simply
India is known to be a hierarchical society, whether it is religion, northern or southern Indian all groups of people are ranked according to various qualities. Within gender hierarchy, men outrank women of the same or similar age, and senior relatives outrank junior relatives (1). This same concept is taken into the Hindi film industry where more emphasis is created on the male actor. From the beginning of the film process importance is on the male. For example within the internal aspects of film processing the second step is acquisition of leading male role and then followed by female acquisitions (class lecture). None the less, females are a priority in films; however their portrayals in films are steady and follow certain guidelines according to the roles played.
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Indian society has many norms and values, one being the role played by an individual in the society. In Indian society the dominant forms of patriarchal ideology how women are seen as subjected-as either the nurturing mother, the innocent wife, the vamp or the educated modern women. One or more forms of these roles are always portrayed in Hindi films. With these roles come specific characteristics that are viewed in the society which are then followed and expressed in Hindi films. For examples it known for an ideal women figures include passive, victimized, sacrificial, submissive, glorified, static, one-dimensional and resilient (3). These are the traits that are then brought into the film which not only reflect culture, but also shape culture.
India is known to be a hierarchical society, whether it is religion, northern or southern Indian all groups of people are ranked according to various qualities. Within gender hierarchy, men outrank women of the same or similar age, and senior relatives outrank junior relatives (1). This same concept is taken into the Hindi film industry where more emphasis is created on the male actor. From the beginning of the film process importance is on the male. For example within the internal aspects of film processing the second step is acquisition of leading male role and then followed by female acquisitions (class lecture). None the less, females are a priority in films; however their portrayals in films are steady and follow certain guidelines according to the roles played.
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If you need assistance with writing your essay, our professional essay writing service is here to help!
Indian society has many norms and values, one being the role played by an individual in the society. In Indian society the dominant forms of patriarchal ideology how women are seen as subjected-as either the nurturing mother, the innocent wife, the vamp or the educated modern women. One or more forms of these roles are always portrayed in Hindi films. With these roles come specific characteristics that are viewed in the society which are then followed and expressed in Hindi films. For examples it known for an ideal women figures include passive, victimized, sacrificial, submissive, glorified, static, one-dimensional and resilient (3). These are the traits that are then brought into the film which not only reflect culture, but also shape culture.
